
This stunning face study from Michael is definitely the runaway favourite for the Pic of the Week - delicately toned and subtly painted, it displays a beautiful contrast between soft matte and smooth shiny skin. The combination of grey and pink for most of the composition creates a luminous and fresh portrait while still allowing for a sombre style of lighting, and the restrained complementary colour palette really makes the green of the eyes stand out. Check out Michael’s La Dame au Diademe image too, which is accompanied by a fantastic little series of works in progress to show you how he builds up these gorgeous portraits.
In complete contrast, Mr Sour Face by Theodore Miller also caught my eye. First it looks like Leslie Crowther chewing a mouthful of lemon-flavoured pins, which made me chuckle, but more importantly it displays all the expressive verve of a good speedpainting - quick, significant brushstrokes with nothing wasted and essential details captured in a few sure lines. Mel Rigot’s Bridge in Early Morning displays some of the same qualities in a peaceful, minimalist landscape scene - quick rough strokes and scribbled colour are at odds with the tranquil hazy place that’s portrayed yet the juxtaposition works perfectly, partially thanks to the very restrained colour harmony used. Not Another Clone by David Taylor also displays some of these elements, but in a more finished and vibrant piece with a bit of Painter comedy thrown in. My final honourable mention this week is The Farewell of King Boabdil at Granada by Kristina Gehrmann. I’m a sucker for convoluted, verbose, 18th Century style titles - the longer and more flowery, the better! Having been drawn in by the name of the piece, I discovered that it was a wonderful history painting in Kristina’s signature storybook style, of an event largely forgotten in European art.